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Venice at the Centre of International Relations and Politics

The Fourth Crusade (1201-1204) and subsequent capture of Constantinople initiated the fall of the Byzantine Empire and left Venice as the dominant power in the Eastern Mediterranean. Two centuries later the trading empire of Venice stretched from the harbours of Britain, across the Channel to France and throughout the Mediterranean with trade extending far into Africa and Asia. By 1612 the dominance of Venetian merchant trade led English Ambassador Sir Dudley Carleton to state, Omnes vias pecuniae norunt [they know all the ways of money]. [1]The sheer expanse of Venetian influence gave rise to a popular conception throughout Europe that Venice was the ‘New Rome’.

Politically Venice stood as a city free from monarchical rule, the Doge was elected for life but in several cases was replaced during political turmoil. Venetians held elected positions in high regard. Captains of military and trading fleets, lawmakers, and city officials were all appointed and elected from within the ranks of noble citizens known as patricians.

Emphasising the importance of naval control and military power the 12th century, the Arsenal of Venice employed the largest workforce in Europe and continually produced new innovations for the Venetian fleet. Ground forces were not overlooked as in 1482, at the outbreak of the Ferrara war, Venice counted 8,000 heavy cavalry on station in Lombardy and many more infantry veterans in the East who were returning from conflicts fought against the Ottomans. [2] Although militarily powerful, Venetian citizens expected public discourse over campaigns and during the 1482 campaign were unsatisfied by the lack of public dialogue. [3] By the 14th century Venice also began fighting to assert dominance in trade not only over the threat of pirates and the Ottoman Empire, which demanded tribute to utilize ports and passage, but also by the lesser European trading nations of Genoa and Hungary. Throughout the 15th and 16th centuries Venetian foreign policy carefully counterbalanced Ottoman, Italian, European, and Roman Catholic foreign policy to the benefit of trade coffers.

Unlike Britain, which split from the Roman Catholic Church and was forced to ‘go it alone’, Venice benefited geographically from several competing interests. In 1509 Pope Julius II gathered a coalition army and launched military campaigns against Venice. Yet, the following year Julius allied himself with Venice against the armies he had formed the year before. As such, Venetian foreign politics capitalized on the competing needs of neighbours and allies but also constantly reminded potential adversaries that Venetian merchants still controlled the majority of trade throughout Europe.

Unhappy with Venetian policy outside the control of Rome, the Renaissance Popes often enacted interdiction, the suspension of Catholic functions, upon Venice. In a time of devout piety, a ‘strike’ by priests meant no weddings, baptisms or funerals would occur and it meant that God himself was angry with the populace. However, fearful of a riotous Venetian populace, a 1482 Interdiction by Pope Sixtus IV was posted on the doors of St. Peter’s Basilica in Rome rather than in Venice. [4]

In 1571 the Venetian Empire ceded the key island of Cyprus to the Ottoman Turks after a difficult two-year war. The loss of Cyprus effectively ended the period of Venetian expansion but also indicated that the Empire knew when it was overstretched. By ceding Cyprus to the Ottomans the Venetians ensured that the isles, ports and trade they did possess were safe from continued warfare and that economic recovery was still manageable. The peace also prevented Spain, an ally of Venice throughout the conflict, from extending any influence into the Eastern Mediterranean—once again proving Venetian political tact for settling both East and West relations advantageously.

Gregory Sheridan

 

1. David S. Chambers & Brian Pullan, ed., Venice: A Documentary History: 1450-1630. (Oxford: Blackwell, 1992), p. 27. Return to text

2. David S. Chambers, Ceicil H. Clough & Michael E. Mallett, ed., War, Culture and Society in Renaissance Venice. (London: Hambledon Press, 1993), p. 61. Return to text

3. See: Michael E. Mallett, Venice & the War of Ferrara, 1482-84. In: David S. Chambers, Ceicil H. Clough & Michael E. Mallett, ed., War, Culture and Society in Renaissance Venice. (London: Hambledon Press, 1993), p. 68. Return to text

4. Chambers & Pullan, Venice, p. 219. Return to text

 

Bibliography
Chambers, David S., The Imperial Age of Venice: 1380-1580. (London: Thames & Hudson, 1970)

Chambers, David S. & Brian Pullan, ed., Venice: A Documentary History: 1450-1630. (Oxford: Blackwell, 1992)

Chambers, David S., Ceicil H. Clough & Michael E. Mallett, ed., War, Culture and Society in Renaissance Venice. (London: Hambledon Press, 1993)

Mallett, M.E. & J.R. Hale, The Military Organization of a Renaissance State: Venice c. 1400 to 1617. (London: Cambridge University Press, 1984)

Further Reference
Knolles, Richard, The Generall Historie of the Turkes, from the first beginning of the Nation
to the rising of the Othoman Familie: with all the notable expeditions of the Christian  Princes against them. (London: Adam Islip, 1638)

 

 

General Background
Antony and Cleopatra
Hamlet
King Lear
Othello
A Brief Overview Of British Social And Political History
The Politics of the Catholic Church
The Influence of Montaigne on Shakespeare
International Relations and Politics
James VI and I and his Patronage of the Arts
Kingship in the Renaissance
Early Modern Attitudes to Madness
Political Theatre
Elizabethan and Jacobean Revenge Tragedy
The Religious Reformation, 1529-1559
The Influence Of Machiavelli On Shakespeare
The Succession of James I
Suicide in the Renaissance
Textual Variations in Shakespeare’s Plays
The Tragic Hero
The Transition from Medieval to Renaissance Drama
The Battle of Actium
Sources for Antony and Cleopatra
Marc Antony
The Contrast Between the Renaissance Prince Hamlet and Old Hamlet
New Words in Hamlet?
Is Hamlet a Problem Play?
Sources for Hamlet
Concepts of Heaven, Hell and Purgatory in Hamlet
‘And My Poor Fool Is Hanged’
The Double Role Of Cordelia And The Fool In King Lear
The Enclosure Acts
The Theme of Nature in King Lear
Nature and Cosmic Order in King Lear
Sources for King Lear
Cyprus
The Publishing and Performance History of Othello
Race in Othello
Sources for Othello
Venice
The Wife as Property in Othello