Although on one level it is fear that prevents her leaving her monument, the hauling up of Antony to join her is a spectacular coup de theatre, which demonstrates not her timidity but her flair, her willpower, her strength and ingenuity. That she hardly lets him speak his dying words also suggests a greater command of the histrionic moment.
(Cicely Palser Havely in Shakespeare: Texts and Contexts, ed. Kiernan Ryan, Macmillan, Basingstoke, 2000, p.152) |